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Swift’s “Wildest Dreams” – Lorde or Del Ray – the writers or the Industry?

by C Bret Campbell October 24, 2014 8:36 pm

Rolling Stone own the rights to their cover as far as I know
Rolling Stone own the rights to their cover as far as I know

An online friend, Larry Pareigis of Nine North Records in Nashville likes to post interesting questions about the music industry to encourage in depth discussion of some of the things that drive it and help educate the indie musicians he’s connected to. I often find myself joining in and truly enjoying those posts.

For some reason, a simple question he posted in relation to the Vulture article comparing Taylor Swift’s song “Wildest Dreams” caught my eye and before I could stop, I had written a reply that was bound to receive a TLDR from even Larry, much less his followers so I decided to reply here, if for no other reason than to keep from bringing his entire thread to a complete state of abandonment.

Vulture and Larry asked “Did Taylor Swift rip off Lorde and Lana Del Ray?”

First I have to ask who really wrote the songs?

With so many hits being churned out “factory style” with the same group of `12 people behind them, it is no wonder they all sound alike and have the same basic wording. It’s all about the business with these “big name cats.”

In my opinion, everyone of these silly arguments, accusation, and even lawsuits is just … silly.

If real writers had to justify every line, word and thought in their lyrics, every song would have as many writers as words. Every writer uses bits of lines heard in other songs. When we can actually recognize that bit, we believe we pay homage to a writer who has influenced us. Often that is done by choice or even intent.

The lines and words in question often are cliche and should not – on their own – be held as creditable to any particular writer. Other phrases simply fit together naturally.

A personal case in point would be the line in one of my songs written for my wife “you like ketchup on your scrambled eggs,” as compared to “She likes ketchup on her scrambled eggs,” in John Prine’s tune. Can you find another way to sing about ketchup on scrambled eggs in 4 beats? Good luck. Oh, and yes, I knew as soon as the words rolled out exactly where they had come from, appreciated the humor of it, and got a chuckle out of the loving wife I sang it for.

Let’s examine the song in question in the case made by Vulture regarding “Wildest Dreams”

First off, if anyone is going to be accused of ripping off another artist, it is not only Taylor Swift who should stand accountable, but the two other writers credited, *Max Martin and Karl Schuster.* On a side note, I would say it’s a safe wager that Swift is only credited due to a contractual obligation and had nothing to do with the writing.

Here are the lyrics to “Wildest Dreams” read through them and see how many you can say you have heard almost word-for-word in some other song. Then think about close derivatives of those lines and try to figure out how many have been used in multiple songs.

He said let’s get out of this town
Drive out of the city
Away from the crowds
I thought heaven can’t help me now
Nothing lasts forever
But this is gonna take me down
He’s so tall, and handsome as hell
He’s so bad but he does it so well
I can see the end as it begins my one condition is
Say you’ll remember me
Standing in a nice dress, staring at the sun set babe
Red lips and rosy cheeks
Say you’ll see me again even if it’s just in your wildest dreams
Wildest dreams
I say no one has to know what we do
His hands are in my hair, his clothes are in my room
And his voice is a familiar sound, nothing lasts forever
But this is getting good now
He’s so tall, and handsome as hell
He’s so bad but he does it so well
And when we’ve had our very last kiss
But my last request is
(ch)
You see me in hindsight
Tangled up with you all night
Burn it down
Some day when you leave me
I bet these memories hunt you around
You see me in hindsight
Tangled up with you all night
Burn it down
Some day when you leave me

I bet these memories follow you around

Swift, like it or not is part of that “old regime” of the music business. Popular music that comes from that model is written following specific models of what sells records. There is software available that will practically write a hit song for you, for crying out loud!

Compared to Lana Del Ray’s “Ultraviolence” record, one can see that on most of the songs from that one, Del Ray is listed as the secondary songwriter in the credits. This could be indicative of the same “cookie cutter approach.”

The “Vulture” author also referenced Lorde, but mostly in comparing the “sound” of the record. Unlike Swift and Del Ray, Lorde writes most of her tunes herself and has for a long time. Forbes wrote a very interesting piece on her publisher and process.

notes:

  • http://www.vulture.com/2014/10/did-taylor-swift-rip-off-lorde-and-lana-del-rey.html
    http://hamadamania.com/2014/08/19/taylor-swift-confirms-details-for-new-album-1989/
    http://www.azlyrics.com/lyrics/taylorswift/wildestdreams.html
    http://www.allmusic.com/album/ultraviolence-mw0002677059
    http://www.forbes.com/sites/zackomalleygreenburg/2014/01/29/the-songs-behind-lordes-songs/

And, just because I like it and we’ve all heard that other stuff way too much already, here is John Prine’s “In Spite of Ourselves” (the song that inspired mine).

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About C Bret Campbell

Jedi Bret, sometimes known as C Bret Campbell, does what he does out of passion. From the Small Barn at the base of the Plateau, the force is strong. Bret is a happily married father of three. His education focus at UT-Knoxville was in music and business. He is a carpenter and owner of Small Barn Sound and co-founder of Middle Tennessee Music . Connect on Google+.

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