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Interview with Lightning Dangerfield – The Goods

by Joshua (J.Smo) Smotherman September 10, 2019 9:31 am Tagged With: Canada, Funk

Lightning Dangerfield-The Goods
The Goods by Lightning Dangerfield now available!

If pushing the envelope is paramount in the arts, Hamilton, ON futurefunk ambassadors Lightning Dangerfield are smashing the mailbox. Blistering & cool, the group’s debut record ‘The Goods’ is a unique blend of Motown funk, soul and R&B groove with hints of rock, psych and punk flavour. Highly addictive. Lightning Dangerfield sounds like a cyberp[h]unk cop-movie from the future. Simmering and mature when it asks — brash and jangly when it wants.

Lightning Dangerfield was founded early Fall 2018 when guitarist & bandleader Andy Dmytryshyn (Voltang, Hellbent) invited drummer & longtime friend Costa Chatzis (Yoney, Nosey Neighbour) to his home studio for a writing session. Three songs later the pair knew they had something juicy. The duo then rallied bassist & songwriter Mitch Szitas (Hotfix, Gentlemen Spectres) and Lightning Dangerfield was born.

In this interview spotlight, I chat with Lightning Dangerfield about the newest music, technology, challenges and more.

Full Q&A along with links and music below.

Where are you from and what style of music do you create? (In your own words, not necessarily in marketing terms or by popular genre classifications.)

Lightning Dangerfield is a hyperfunk trio based in Hamilton, Ontario, Canada with Andy Dmytryshyn on guitar, Mitch Szitas on bass, and myself on drums.

What led you down this path of music and what motivates you to keep going?

Andy & I toured together many years ago and knew we wanted to work together on something fresh. “The Goods” EP is long overdue frankly, and the response has been inspiring.

How is this new release different than previous ones? Were you trying to accomplish anything specific?

Lightning Dangerfield has a very unique flavour and is supremely fun to play. We wanted to go from zero-to-100 with this latest release and blast into the stratosphere — mission accomplished. The lead video-single ‘Toni Hock’ is a testament to that.

Name one or two challenges you face as an indie musician in this oversaturated, digital music age? How has technology helped you (since we know it does help)?

Getting lost in the weeds amongst countless other groups & musicians can be tough but this project flies in the face of that system. Technology is our greatest asset in promotion & connectivity so let’s figure out some unique ways of putting our brand in your crosshairs.

What was the last song you listened to?

Sledgehammer by Peter Gabriel

Which do you prefer? Vinyl? CDs? MP3s?

Streaming is great for on-the-go listening and music discovery but I will never get tired of holding a vinyl album art in my hands.

How about this one…. Do you prefer Spotify? Apple Music? Bandcamp? Or something else? Why? 

Spotify is the most intuitive music streaming platform to date. They certainly don’t pay me enough for this endorsement.

Where is the best place to connect with you online and discover more music?

Keep your eyes peeled on Lightning Dangerfield’s social media (Facebook, Instagram, etc.) and get ready for another three-track headed your way early November.

Anything else before we sign off?

Thanks for everything you do in your world. We need more like you. Cheers!

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About Joshua (J.Smo) Smotherman

Joshua is a music business consultant currently serving as COO of Unlimited Sounds, a boutique publishing admin & consulting firm based in Northern California. He also serves as director of Pac Ave Records, a student-run record label. He is an archivist and curator via Indie Music Discovery.com, co-founded with C Bret Campbell in 2011. He is also a Father of 3 and an all purpose jedi... but before any of this, he was and still creates as an indie/DIY songwriter and producer. Connect on IG. Read full bio.

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As the collective attention span shrinks, Eddie Canyon finds himself searching for meaning within the noise. Reaching into and around his Arkansas roots, Eddie carves a distinctively southern Hip Hop undercurrent in his exploratory approach to music. Weaving tales of battling addiction, thoughts on spirituality, and irreverent social commentary into his lyrics, Eddie aims to intrigue his audience at the least, and at most, leave them with a liberating degree of thoughtfulness. In his own words: “The Matrix is real, but there’s a way out.” Support on Spotify or Bandcamp.

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