Critically acclaimed singer-songwriter Megan Henwood returns with another majestic alt-folk single, Seventh, out now via Dharma Records.

The single is taken from Henwood’s forthcoming album, River, which depicts her lifelong relationship with the rivers and seas that flow into her creativity. Its alt-folk essence is illuminated with shades of sophisticated jazz and low-key electronica, on a record of dark hues and discreet optimism. Seventh soars into force with Megan’s immaculate finger picking skills, combined with her warm, smooth vocals sounding akin to the likes of Laura Marling or Lucy Rose. As the track seamlessly blends acoustic and electronic soundscapes throughout, Megan manages to to create something truly mesmerising and yet completely intimate.

In this interview spotlight, we chat with Megan about influences, her latest project, challenges and much more.

Full Q&A along with links and a stream of Seventh below.

Let’s dive a little deeper into You, the artist and your music. What attracted you to this genre(s) or style(s)?

I really love experimenting with lots of different genres and styles so it’s more organic than a conscious decision. I always try and make sure the instrumentation lets the lyrical content breathe so perhaps thats why it’s predominantly acoustic guitar led. But I’m attracted to all types of music!

How long have you been creating and sharing your music with the public?

About 15 years. Blimey. Professionally 10 years.

Who or what influences your playing and/or writing? Also, what motivates you to keep going?

I’m influenced by people I talk to/eavesdrop on, stories and experiences I’ve been told, from books, films and music and also from my own personal interactions – everywhere really. My motivation comes from a mixture of not having much passion for anything else but music and incredible support from my loved ones and professional team.

Were you trying to accomplish anything specific on this new project? Creatively or otherwise?

I wanted to create something that was a step forward from my last records and I feel that my producer, Tom Excell, helped me achieve that without damaging the integrity. I also wanted to explore how more universal themes settled alongside personal, introspective songs.

What was the last song you listened to?

Ake by Blick Bassy.

Which do you prefer? Vinyl? CDs? MP3s?

Vinyl! I’m building up my collection, I love the ceremony of listening to records. I also download music and use Spotify – it’s an amazing way of finding more music and opens up so many doors to great things.

How about this one…. Do you prefer Spotify? Apple Music? Bandcamp? Or something else? Why?

Spotify – as I said it works so well in terms of discovering amazing new music.

Other than the digital era overwhelming us with access to an abundance of music, what are one or two of the biggest challenges you face when trying to attract listeners to your music?

I find the internet daunting, I respect it is a powerful tool but it is so vast and ever changing, it can be hard to keep up. It’s a great way to put yourself out there as an artist but if that doesn’t come naturally to you it can be overwhelming.

Do you gig, tour or perform? Do you ever live stream? Where can music lovers see you live?

I’m about to do a solo tour of the UK with the new album in October/November. It finishes on November 27th with a full band show at St Pancras Old Church in London.

Where is the best place to connect with you online? Discover more of your music?

Facebook, Instagram and Twitter and all my music is on Spotify, iTunes and all the others!

Any last thoughts? Shout outs? Words of wisdom?

I have to shout out to my great friend and producer Tom Excell and my brother Joe, without them these albums wouldn’t exist. I’m also very grateful to my team and loved ones.