Indie Music Discovery

Submit Music

  • Discover
  • Playlists
  • Radio
  • Friends
  • About
  • Royalties
  • Connect
    • Spotify
    • Instagram
  • Submit Music

Interview with dizzybloom

by Joshua (J.Smo) Smotherman July 23, 2013 9:46 am Tagged With: Folk, indie, jazz, Progressive, Rock

Has the web / social media / technology alleviated some of the stresses you were experiencing earlier on?

Again, I could probably say a lot about this topic but I’ll try to keep it brief. When I think of music and the Internet I immediately think about Pandora and Spotify and all the other music-streaming sites such as these.

Yes, you can now reach every corner of the earth with your music but it doesn’t necessarily mean that you’re more successful just because you’re music is playing on the Internet in India or Iceland at any given moment.

I think it’s kind of cool actually to know that’s happening for us but the truth is that we’re still trying to make inroads right here in our own home state of Utah. We can get a radio station in Tokyo or Melbourne to play our music but I don’t think it’s realistic to think that has any more value that being played on the station(s) in your own hometown. Isn’t that where it really needs to start?

We’re still working on that and trying to come to grips with what all of it means. There’s been a lot of grumbling recently about these music-streaming services and whether or not they are actually helping musicians and songwriters at all. I don’t really want to delve too deeply into that issue that but I think some people are starting to say “Hey… the experiment time is over and that whole thing about discovery of new bands doesn’t really seem to be translating out to anything substantial.”

The “discovery” of the new music and/or the new bands might actually be happening but if the music is always there and it’s streaming on the site then where exactly is the motivation for the listener to go out and actually support the band thru purchase of their material?

We’re in a difficult time right now for artists who are trying to support themselves AND create quality music that is recorded well and promoted properly. Studios, radio promoters and publicity agents are extremely expensive and they get their money up-front. They don’t take payments of 0.0077 cents at a time, if you know what I mean.

Back to the music. What did you listen to growing up? What do you listen to now? Have your tastes changed?

The first albums I inherited were the ones I pilfered from my father’s collection. The Beatles, Bob Dylan, Simon and Garfunkel, Joan Baez, and other stuff from the 1960’s. It was from these records that I gained an appreciation for quality song-writing.

Later I gravitated towards progressive rock, especially Rush, and I would attempt to learn those very difficult guitar and bass parts from LP records like Moving Pictures and Permanent Waves. After I realized I would never be able to play like that I went into a phase where all I listened to was The Smiths and The Sundays.

My tastes haven’t really changed that much over the years. I have always hated Top 40 pop music and I always will. I’m not into dance music and I tend to gravitate towards great lyricists like Joni Mitchell, Van Morrison and Neil Young. Juliet, on the other hand, was raised to appreciate Beethoven and Bach and she also owned a copy of “Disco Duck” on 45 rpm.

Share this:

  • Email a link to a friend (Opens in new window) Email
  • Share on Facebook (Opens in new window) Facebook
  • Share on Threads (Opens in new window) Threads
  • Share on Reddit (Opens in new window) Reddit
  • Print (Opens in new window) Print

Related Articles


Discover more from Indie Music Discovery

Subscribe to get the latest posts sent to your email.

Pages: 1 2 3 4 5 6

Submit Music

From our friends at CyberPR, highly recommend.

Buzz to Bond by Ariel Hyatt (CyberPR)

Article Spotlight

Eddie Canyon

Interview with Eddie Canyon – Id10t

  • Interview with Parmy Dhillon – Nashville
  • Interview with Rusty Reid (& the Unreasonables) – Piece of the Action
  • Interview with The Funky Ducklings – Music Education Through Experience at The International School of Samui

Find more music from our supporters.

spotlight




Visit Pac Ave Records website.


About Joshua (J.Smo) Smotherman

Joshua is a music business consultant currently serving as COO of Unlimited Sounds, a boutique publishing admin & consulting firm based in Northern California. He also serves as director of Pac Ave Records, a student-run record label. He is an archivist and curator via Indie Music Discovery.com, co-founded with C Bret Campbell in 2011. He is also a Father of 3 and an all purpose jedi... but before any of this, he was and still creates as an indie/DIY songwriter and producer. Connect on IG. Read full bio.

Most Popular Playlist

Spotlight

Eddie Canyon

Interview with Eddie Canyon – Id10t

  • Interview with Parmy Dhillon – Nashville
  • Interview with Rusty Reid (& the Unreasonables) – Piece of the Action
  • Interview with The Funky Ducklings – Music Education Through Experience at The International School of Samui

Check out more music from our supporters.

Resources

From Buzz To Bond
From Buzz To Bond by Ariel Hyatt

Recent Articles

Ellie Heath Shares “Too Old (For This Shit),” A Joyful Anthem for Growing Up Without a Rule Book

  • Scarlett Macfarlane Steps into a Zany Alt-Pop Wonderland on “Winter’s Whisper”
  • ARKELLS ANNOUNCE NEW ALBUM BETWEEN US OUT APRIL 17
  • Witnessing History: Bad Bunny’s Album of the Year Win at the Grammys

Receive Articles via Email

Enter your email to receive new posts in your inbox. You can unsubscribe at anytime.

spotlight




Connect with Parmy on Instagram.


The SODEH Hour by Sodeh Records

Discover more music

The Slow Release: Why Will Dailey’s BOYS TALKING Feels Radical in a World of Instant Everything

More indie music

  • 12090 A.D. Featuring Anna Copa Cabanna & Tim Kuhl Announce Self-Titled Debut Album Out April 24th
  • Natasha Fisher Debuts Lively New Release, “The Motions”
  • Beau Nectar & Vox Rea Team Up for New Single, “Tulip”
  • Toronto Indie-Pop Artist Victoria Staff Reflects on Love, Loss & Memory on New Single “Sweet Blue Moon”
  • Allen Dobb Writes Toward Understanding and Shared Humanity on “At the Bridge,” New Album The Afterlife Sessions Out April 24th

Unlimited Sounds Radio


Apple App Store | Android App Store
The SODEH Hour by Sodeh Records
The SODEH Hour by Sodeh Records

Search our index

Translate to your preferred language

spotlight




Connect with Parmy on Instagram.


Copyright © 2026 Indie Music Discovery.com.
An Unlimited Sounds Publishing & Distribution, LLC property.
All Rights Reserved.DMCA + Terms of Use | Privacy PolicyPowered by Studiopress and Bluehost.