Montreal-based multi-instrumentalist, composer, and producer Cédric Dind-Lavoie releases his new album Collages (2019–2022), featuring “Lignes,” a serene, gently motional instrumental piece. Rooted in folktronica, krautrock, and acoustic exploration, the track offers a moment of calm and resolution within a broader body of work defined by texture, spontaneity, and immersive listening.

Built from reimagined compositions originally created for contemporary dance performances and documentary film, Collages (2019–2022) marks a shift in Cédric’s creative process. Rather than composing fully formed pieces in advance, the album was shaped directly in the studio, embracing experimentation and chance. Modified guitars, Mexican guitarrón, toy synthesizers, and handcrafted samples made from materials like cardboard and paper form a tactile, unexpected sonic palette.

“This album taught me to trust in serendipity,” Cédric explains. “Unlike my previous albums, where everything was composed in advance, the pieces here were shaped through the recording process itself.”

Originally composed for the finale of the contemporary dance performance Suspendu au sol by Montreal-based company Les Archipels, “Lignes” was designed to evoke a sense of resolution and unity. The title references the closing tableau, where dancers regroup in a single line after a series of chaotic sequences, mirroring the track’s emotional arc toward calm and cohesion.

Sonically, the piece is anchored in delicately layered electric guitars played in a Mixolydian mode, with a rhythmic pulse built from a sampled stomp box. The result subtly echoes the motorik feel of 1970s krautrock, reinterpreted through a softer, more intimate lens. As with the rest of the album, every element is approached with restraint, allowing space, texture, and detail to carry the emotional weight.