Lil’ Red & The Rooster’s new album 7 is a record that lives and breathes in the spaces where blues, soul, jazz and gospel intersect, and it radiates the kind of joy that only comes from musicians who are completely in sync with one another.
Frontwoman Jennifer “Lil’ Red” Milligan delivers vocals that are at once sassy, sweet and soulful. They move with ease from gospel shouts to tender whispers.
Rock has always thrived on youthful energy, and Friday Project are living proof.
At just 16 years of age, this Oakville based trio – Jack Galloway (guitar, vocals), Aidan Girardo (drums) and Noah King (bass) – are making music that’s fearless and refreshingly unpolished in all the right ways.
Regional Mexican Music is a genre rooted heavily in Mexican culture and traditions. Since its early beginnings it has experienced an explosion in popularity, specifically over the last few years with one of its subgenres: “corridos tumbados” mainly dominating the mainstream. Emerging from the depths of Mexico’s regional styles such as banda, mariachi, and corridos, […]
With a voice that calls to mind the smoky mystique of Stevie Nicks and the cinematic allure of Lana Del Rey, Kenzy Kyx has already made her mark with deeply personal “sad girl pop” tracks.
But her new single “I’m So Glad” flips the script entirely – it’s fun, fearless and full of the kind of liberating energy that makes you want to sing it at the top of your lungs with the windows down.
Awakening marks a turning point for Lizzie Thomas. This is a moment where she fully leans into her own sound and trusts it to carry her somewhere new.
Across nine tracks, she blends the elegance of jazz with the warmth of neo soul and the brightness of pop in a way that feels effortless. The record moves with the confidence of an artist who knows exactly what she wants to say and isn’t afraid to say it.
Some songs are written in hindsight, piecing together a story long after the wounds have healed. Shallow is not one of them. Animals In Denial began writing it while still trapped in the very relationship that inspired it. A relationship that was built on deception, obsession and manipulation so surreal it borders on the cinematic. […]
From the first jagged guitar strum, “Threshold” sinks its teeth in and doesn’t let go.
Portland’s alt emo newcomers Moments Of may be stepping out with their debut, but they already sound like a band with something important to say.
With “Wild’s Rising”, Lil’ Red & The Rooster don’t just release another single. They write the next chapter in blues history.
Conceived as a spiritual sequel to B.B. King’s “I’m Going Home”, the song radiates gospel warmth, rootsy authenticity and a deep personal connection to its inspiration. This is a living, breathing celebration of the blues as a vessel for joy, resilience and community.
Sometimes the most powerful songs don’t shout. They whisper, gently guiding you inward.
Saint Tone’s latest single, “Explode,” is exactly that kind of song. It arrives like a quiet wave and leaves like a breath you didn’t know you were holding.
Tender and unflinchingly honest, “Explode” feels much like a longawaited conversation with your own soul.
Molly Thomas’s new single, “I Am a Wave,” is the final track on her upcoming album Tumble Home, but it was also the very first song written for the project, a fact that gives it a cyclical almost tidal significance.
Written on a porch overlooking Mobile Bay, Alabama, with only stillness and the motion of water for company, “I Am a Wave” is a chamber folk meditative song that speaks to how we move through each other’s lives, separate, then reunite, and carry fragments of each other forwards.
