Toronto singer-songwriter and filmmaker David Jane shares his new EP, Ambleside, an alternative collection born from the disorienting aftermath of a transformative year spent studying film in Vancouver. Rooted in longing, memory, and the strange ways the past continues to exist within the present, the five-track project finds David pairing his raw, acoustic songwriting with producer Sam Arion’s expansive ambient soundscapes to capture the feeling of desperately wanting to return to a time and place that can never truly be recreated.

The seeds of Ambleside were planted during the late stages of COVID, when David, creatively paralyzed after releasing his debut EP, turned back to his first love of film in search of new inspiration. A year at Vancouver Film School quickly became everything he had been craving: an intensely creative community, new friendships, adventure, parties, love, and a sense that everyday life had temporarily suspended itself. Returning home was a shock.

“It felt like all of us were existing in this miracle lapse, as if the rest of the world was on hold,” David recalls. “But, as all things do, our year eventually came to an end, and the sucker punch of returning to reality was a lot to process, which finally led me back to my passion for music.”

The EP’s focus and title track, “Ambleside,” brings that longing back to a specific place: Ambleside Beach in North Vancouver. Away from the spontaneity and bustle David associated with places like Kitsilano and English Bay, Ambleside became a quiet respite as his year in Vancouver approached its end – somewhere the rush of the city seemed to disappear and time itself became strangely elastic.

Across Ambleside, David processes that lost chapter from different angles. “Garden Out Back” pleads for the reincarnation of a lost love; “Concussion” romanticizes a fading past as its final moments seem to slip away; “Five and Dime” turns toward film, music, and art as an escape from an unfamiliar reality; and “Story of a Night” considers what happens when the present begins to exist entirely in the shadow of what came before. The title track ultimately brings those ideas together in one emphatic refusal to let the past disappear.

Writing the EP also reshaped David’s understanding of time itself. Inspired in part by T.S. Eliot’s “Burnt Norton,” he began to question the idea that time moves neatly forward, instead viewing the past, present, and future as experiences that continue to exist within us simultaneously.

“There’s a beauty but also a longing in this perception, as you can never fully let go of that time within you,” he says. “The goal and idea was that, by processing this lost time through art and music, perhaps there was a way to recapture it. I’m still unsure whether or not I succeeded.”

On “Ambleside,” that philosophy becomes both place and feeling. David remembers the beach as somewhere he could sit after a busy day, watch the sun disappear over the water, and briefly feel removed from everything around him. Hours could pass almost unnoticed, followed by a hazy return to the city and an inexplicable desire to go back.

Produced by Sam Arion, the title track places David’s rustic, folk-influenced songwriting inside an ethereal world of dreamlike synths, ambience, and the sound of actual waves. Built around only four persistent chords across its nearly five-minute runtime, the song uses melodic push and pull to create a tranquil, almost meditative headspace while gradually deepening its sense of yearning.