Stephen Jaymes has a way of making existential crises sound almost fun. Ironic as that sounds.
His latest single, Waiting for the Drugs to Kick In, is that kind of song that sits with you at the bar, leans in close and mutters something half-hilarious but half-terrifying about the state of the world.
It’s a slow burn, a smirking lament, and an emotional cry all at once.
Singer-songwriter Roxana Labatt is no stranger to re-invention. Once a high-powered Wall Street lawyer with degrees from Princeton and NYU Law, she faced a life-altering moment when a sudden health crisis forced her to reconsider everything.
That brush with mortality became a catalyst, leading her away from the rigid path of corporate law and back to the thing she had loved since childhood – music. Now, with an ever-growing body of work, Roxana has proven herself as a compelling voice in indie pop and rock, as she creates songs that blend evocative storytelling with striking melodies.
Amanda Abizaid is no stranger to blending worlds, both musically and culturally, and her latest release “Hold On My Heart (Bilingual Remix)” is yet another testament to her ability to bridge divides with melody and meaning.
Her global fusion of neo-soul, world music and cinematic storytelling shines through here as the Lebanese American singer-songwriter once again delivers a song that is both transportive and evocative.
Brooks John Martin’s latest single “Straight Over Me” is a highlight track featured on his newly released self-titled album.
This is a haunting, slow-burning song that feels like drifting into the unknown. It wraps brooding intensity in lush strings, hypnotic guitar lines and Martin’s signature melancholic baritone which evokes an eerie yet cinematic atmosphere.
Keyth Jones has always been a musical wanderer. From his early days bringing “spirited, nasal vocals” to coffeehouses in the late 1990’s to his time co-fronting the Baltimore psych-rock outfit “Fractal Cat”, his career has spanned decades, genres, and a restless creative energy.
His latest single Run to Me is a raucous, fuzzed-out homage to ‘60s garage rock, showing Jones’s love of raw and unfiltered rock & roll.
MASSEY’s “Tattoo My Heart” isn’t just another rock song – it’s a shot of pure adrenaline.
There is no build up, no hesitation, just straight into the fire with Peter Oravetz and Daniel Groover trading licks like they’re summoning something. Charlie Wooton holds it all down with a bassline that moves like a heartbeat, while Doug Belote’s drumming is all muscle and momentum pushing everything forward like a train that’s got no intention of stopping.
Love at first sight – it’s the stuff of legend, of whispered what-ifs and stolen glances that turn into something bigger than fate itself.
With new release “Arrow”, Siren captures that electric moment of instant connection and transforms it into a soaring rock anthem.
Blending melodic rock, progressive energy, and Middle America roots, the track is equal parts intimate and cinematic, offering a heartfelt reflection on the kind of love that feels predestined.
Brooks J Martin is no stranger to reinvention. After years of crafting intricate songs under various monikers – including Toast, The Blue Danes, and Frank Hansen – Martin is finally releasing music under his own name, stripping away past personas to reveal something unfiltered and deeply personal.
His latest single “Millions” is now out, marking the next step in that journey. This is a luminous yet haunting meditation on longing, resilience, and the search for meaning in a world that often feels indifferent.
There’s a moment we’ve all had – watching someone (maybe ourselves) reject good advice, resist an obvious solution, or double down on a bad decision for no reason other than sheer and irrational stubbornness.
That moment of exasperation, of wanting to shake someone out of their self-inflicted misery is the beating heart of Baby Can’t Be Helped, the latest folk-punk gut punch from Stephen Jaymes.
Dan Lowe has always had a real knack for storytelling, and his latest single “Creatures of the Radio” is no exception.
A heartland rock anthem with echoes of Bruce Springsteen and Tom Petty, this song is a love letter to the golden era of radio. A time when the crackle of the dial could transport listeners to another world.
With rich instrumentation, driving rhythms and a soaring saxophone courtesy of Patrick Lamb, Creatures of the Radio is both nostalgic and refreshingly alive.
