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Rediscovering an American Original: Blind Boone the Musical Opens with a Show Stopping First Act

by Leslie Sherman July 1, 2026 4:17 am Tagged With: 2026, Alternative, indie rock, music review, musical, new music, Rock, singer, songwriter, United States

History has a habit of overlooking remarkable people. While names like Scott Joplin have become synonymous with the birth of ragtime, another pioneering musician helped shape America’s musical identity long before recordings could preserve his brilliance.

John William “Blind” Boone was more than a gifted pianist. He was an entertainer, composer and touring concert artist whose extraordinary talent captivated audiences across the country despite the barriers of blindness and racial segregation.

That forgotten legacy takes center stage in “Boone Plays It Back,” the debut single from Blind Boone the Musical, an ambitious new work by Kansas City composer and jazz organist Ken Lovern. Rather than offering a straightforward history lesson, Lovern delivers something far more engaging: a theatrical invitation into Boone’s world where music becomes both spectacle and storytelling.

Matt Alter Charts an Honest Course with “Train to Nowhere”

by Leslie Sherman February 6, 2026 5:56 am Tagged With: 2026, indie rock, music review, new album, new music, Pop, Rock, singer, songwriter, United States

On his latest single “Train to Nowhere,” Matt Alter once again proves that he doesn’t need big gestures or flashy production to make an impact. Here he leans into what he does best with honest songwriting, emotion and confidence.

Instead, he leans into what he does best: honest songwriting, lived in emotion, and a quiet confidence that comes from years of refining his craft.

The song arrives as the next preview from Alter’s upcoming, fourth solo album I’m Lonely… It’s My Fault, produced by Tavis Stanley, is scheduled for release on March 5, 2026. “Train to Nowhere” continues his thoughtful, single by single rollout, before the full record arrives. It’s an approach that mirrors his creative process, allowing every song to feel fully formed and intentional.

Rene Lopez Digs Deep on “Goin Back To Lovin’”

by Leslie Sherman January 26, 2026 9:15 am Tagged With: 2026, Folk, indie rock, music review, new music, New Single, New York, Pop, review, singer, songwriter, United States

Bronx born singer-songwriter Rene Lopez has never been one to smooth the edges, and his latest single, “Goin Back To Lovin’,” leans fully into that. Out now, the track offers a stripped down, emotionally direct look at what happens when the bravado fades.

Built on a gritty blend of outlaw country, Latin soul and rock & roll, “Goin Back To Lovin’” finds Lopez confronting his own missteps head-on. The song doesn’t shy away from broken bridges or hard earned lessons, but instead it follows the quiet determination of someone choosing to stop running and start rebuilding. The groove is not forced, and Lopez’s vocals are close and conversational, like a late night confession shared over a drink at a neighbourhood bar.

“Faraway” Sets the Tone for Stigma’s Debut Album “Second Chance” – An Exploration of Isolation and Redemption

by Leslie Sherman May 9, 2025 6:44 am Tagged With: Germany, indie rock, music review, new music, Rock, singer, songwriter, United States

Nuremberg rock band Stigma are back with their brand new single “Faraway”.

“Faraway” is an evocative, slow burn meditation on distance – both emotional and physical, and the aching beauty that can bloom in separation.

Both intimate and cinematic in its sound, “Faraway” finds its strength not in a flashy production or explosive choruses, but in restraint, atmosphere and the emotional depth that it draws from silence as much as sound.

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As the collective attention span shrinks, Eddie Canyon finds himself searching for meaning within the noise. Reaching into and around his Arkansas roots, Eddie carves a distinctively southern Hip Hop undercurrent in his exploratory approach to music. Weaving tales of battling addiction, thoughts on spirituality, and irreverent social commentary into his lyrics, Eddie aims to intrigue his audience at the least, and at most, leave them with a liberating degree of thoughtfulness. In his own words: “The Matrix is real, but there’s a way out.” Support on Spotify or Bandcamp.

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