There’s something quietly disarming about the title Never Too Late – it reads at first like a reassurance, almost a slogan. But in Bruce Rosenblum’s hands, it becomes something much more reflective.
The album, released today, is the culmination of a long arc rather than a comeback story in the usual sense. It’s not about return so much as continuation: threads picked up, set aside, and finally woven together on his own terms.
Rosenblum’s path into this record is unusually layered, and that history is essential to understanding the music’s depth. He began studying piano at age six, and by his teen yeras was already writing songs and performing in the Boston folk scene in a duo called Yamakraw with Paul Chiten, later a multi-platinum songwriter and Emmy winning composer. The group played coffeehouses and colleges throughout the late 1960s and early 1970s, sharing stages with artists such as Livingston Taylor, Phil Ochs and Steeleye Span.
