This section includes a running list of the music reviews we publish. We also publish a lot of interviews, curate playlists, and podcast. Want to submit your music?
Her debut EP Electric doesn’t just introduce her as a new voice in pop. Rather it marks the arrival of a young artist already fluent in the language of feeling.
Across four songs, Electric is glowing. Produced by Matt Chiaravalle (Warren Zevon, Debbie Harry) and co-written with Aimée Proal (Kelly Clarkson, Christina Aguilera), the EP balances radio polish with heartfelt vulnerability and it’s the kind of pop that feels both relatable and real.
There’s something hypnotic about “Shadows.” From the moment the track begins, KiTe uses atmospheric sounds, and emotional precision to captivate the listener.
Born in Singapore and now based in Melbourne, KiTe has quietly created space for himself as one of the most intriguing new voices in the R&B and pop scene. His sound brings together the clean, soulful polish of artists like Keshi, DEAN, and Bryson Tiller with a subtle, introspective edge. What sets him apart isn’t just his ear for lush and minimalist production but his ability to express emotion with nuance.
Broadway powerhouse Ian Ward steps confidently into the spotlight of his own story with the release of his new single, “Ocean Eyes.” Known for commanding the stage in Rock of Ages Hollywood and performing alongside Cynthia Erivo in Jesus Christ Superstar at the Hollywood Bowl, Ward now channels that same theatrical fire into a lush pop soundscape that is both timeless and modern.
Built on a swirl of warm analog synths, echoing guitars and a falsetto that seems to hover midair, “Ocean Eyes” captures that dizzying ache of memory and the tenderness that lingers after love fades.
Every once in a while, a rock song comes along that feels like a pulse. Ray Ray Star’s new single “Feelin'” is one of those songs.
It is an unfiltered outpouring of pain, survival and rebirth. A track that takes you straight into the struggle of addiction and the hard but beautiful process of learning to feel again after years of being numb.
MASSEY’s debut Reason For Being hits like a joyful revelation. This is an album that grooves hard, but also thinks deeply. It’s the kind of record that invites you to move, sweat and maybe walk away seeing the world a little differently.
On September 6th, the Oakland Coliseum was electric as Mexico faced Japan in a sold out international friendly. Over 40,000 fans packed the stadium, creating an atmosphere that was loud, colorful, and full of heart. What made the night even more special was the unity that filled the stands. Fans who are usually rivals when […]
There’s something really satisfying about hearing a band hit its stride decades into its career.
With Listen, their new album out now, South Florida’s SIREN prove that time and tenacity can forge something stronger than youthful bravado.
Every now and then, a collaboration comes along that feels less like a project and more like a crossing of destinies. Nefasphere is the new two track release from American composer and Mutantrumpet visionary Ben Neill and Ethiopian producer Mikael Seifu. And it is one of those profound moments – a meeting that folds time, geography and spirit into something quietly revelatory.
Some songs don’t arrive quietly. Zoey Tess’s new single “Knocking at Your Front Door” is one of those songs.
The single opens like a confession with Tess alone at the piano, her voice steady and circling around the wreckage of a country that’s come unglued. Then the band kicks in with pulsing drums, a snarl from the guitars and what starts as a lament turns into a confrontation.
Released at the end of September, Tumble Home is the kind of album that feels like it’s been quietly waiting for the right moment to arrive.
Singer songwriter Molly Thomas delivers a record that is very much an emotional landscape mapped out with honesty, grace and hard won perspective.
