This section includes a running list of the music reviews we publish. We also publish a lot of interviews, curate playlists, and podcast. Want to submit your music?
With “Angels on Our Shoulders,” Italian composer Marco Di Stefano reveals the emotional heart of his forthcoming concept album Far Inside and shows exactly why he is emerging as one of the most narrative minded voices in contemporary orchestral music.
Conceived as a tribute to the fallen of WWII, the single’s power reaches beyond its historical frame, touching on memory sacrifice and the invisible weight of a collective loss.
Washington, DC’s Lakaff has been steadily carving out a lane he calls “heart music” – a quirky, genre-bending blend of rock, EDM, house and hip-hop delivered in vivid Dolby Atmos sound.
Lakaff is a singer-songwriter, multi-instrumentalist, and producer and he has been building a catalog of anecdotal yet broadly resonant tracks since 2023, taking inspiration from artists as diverse as Oasis, Disclosure, Shania Twain, Prodigy, Kasabian and 50 Cent.
Lil’ Red & The Rooster’s new album 7 is a record that lives and breathes in the spaces where blues, soul, jazz and gospel intersect, and it radiates the kind of joy that only comes from musicians who are completely in sync with one another.
Frontwoman Jennifer “Lil’ Red” Milligan delivers vocals that are at once sassy, sweet and soulful. They move with ease from gospel shouts to tender whispers.
Author and musician Bill See just released his first album in over a decade – Bow To No One. And if you like alternative-folk music, this is definitely something you need to listen to. This album is essentially a guide for surviving today’s version of America. This album came at a much needed time, and […]
Reeya Banerjee’s new album This Place is out today and it feels like the culmination of a journey that’s been quietly unfolding for years.
If her 2022 debut The Way Up introduced her as a songwriter unafraid of vulnerability, this new collection shows just how far she’s come in refining her voice, both literally and lyrically.
With This Place, Banerjee has created an album that is expansive in scope yet rooted in the intimate details of lived experience, an exploration of memory and love all filtered through a rock-and-roll lens.
George Collins’s latest single “By the Time” is accompanied by a fantastic music video that takes a timeless country trope – the “Dear John” letter – and re-imagines it with warmth, grit and cinematic flair.
Shot on location at Max’s Steakhouse in Prague, the video places Collins in the middle of a dimly lit barroom, guitar in hand, as he inhabits the role of the weary but resolute narrator ready to close one chapter of his life. The setting is immediately intimate, the kind of bar where the walls carry the weight of countless unspoken stories, and it’s the perfect backdrop for a song about endings and the promise of moving on.
With a voice that calls to mind the smoky mystique of Stevie Nicks and the cinematic allure of Lana Del Rey, Kenzy Kyx has already made her mark with deeply personal “sad girl pop” tracks.
But her new single “I’m So Glad” flips the script entirely – it’s fun, fearless and full of the kind of liberating energy that makes you want to sing it at the top of your lungs with the windows down.
Awakening marks a turning point for Lizzie Thomas. This is a moment where she fully leans into her own sound and trusts it to carry her somewhere new.
Across nine tracks, she blends the elegance of jazz with the warmth of neo soul and the brightness of pop in a way that feels effortless. The record moves with the confidence of an artist who knows exactly what she wants to say and isn’t afraid to say it.
From the first jagged guitar strum, “Threshold” sinks its teeth in and doesn’t let go.
Portland’s alt emo newcomers Moments Of may be stepping out with their debut, but they already sound like a band with something important to say.
With “Wild’s Rising”, Lil’ Red & The Rooster don’t just release another single. They write the next chapter in blues history.
Conceived as a spiritual sequel to B.B. King’s “I’m Going Home”, the song radiates gospel warmth, rootsy authenticity and a deep personal connection to its inspiration. This is a living, breathing celebration of the blues as a vessel for joy, resilience and community.
