This section includes a running list of the music reviews we publish. We also publish a lot of interviews, curate playlists, and podcast. Want to submit your music?
When darkness settles and the lights fade out, some songs hold space. That is the quiet power behind KiTe’s newest single, “I See You Cryin’.”
The track doesn’t rush you. It doesn’t promise closure. Instead, it invites you into a soft, raw, slightly bruised world – one where unspoken nights stretch long and love sits just out of reach.
George Collins has always had a gift for writing songs that are quietly honest, the kind that don’t demand your attention so much as slowly draw you in.
His new single, “Houston,” might be one of the clearest examples yet.
Though inspired by a playful songwriting prompt about space, the final song is anything but gimmicky. Instead, Collins uses the language of space travel to explore the emotional drift that can creep into even the closest of relationships.
Daniele Odasso steps back into the spotlight with his brand new single “Living In Between”. It’s a song that unravels slowly, confidently, like someone finally breathing again after holding their breath for far too long.
Her debut EP Electric doesn’t just introduce her as a new voice in pop. Rather it marks the arrival of a young artist already fluent in the language of feeling.
Across four songs, Electric is glowing. Produced by Matt Chiaravalle (Warren Zevon, Debbie Harry) and co-written with Aimée Proal (Kelly Clarkson, Christina Aguilera), the EP balances radio polish with heartfelt vulnerability and it’s the kind of pop that feels both relatable and real.
There’s something hypnotic about “Shadows.” From the moment the track begins, KiTe uses atmospheric sounds, and emotional precision to captivate the listener.
Born in Singapore and now based in Melbourne, KiTe has quietly created space for himself as one of the most intriguing new voices in the R&B and pop scene. His sound brings together the clean, soulful polish of artists like Keshi, DEAN, and Bryson Tiller with a subtle, introspective edge. What sets him apart isn’t just his ear for lush and minimalist production but his ability to express emotion with nuance.
Broadway powerhouse Ian Ward steps confidently into the spotlight of his own story with the release of his new single, “Ocean Eyes.” Known for commanding the stage in Rock of Ages Hollywood and performing alongside Cynthia Erivo in Jesus Christ Superstar at the Hollywood Bowl, Ward now channels that same theatrical fire into a lush pop soundscape that is both timeless and modern.
Built on a swirl of warm analog synths, echoing guitars and a falsetto that seems to hover midair, “Ocean Eyes” captures that dizzying ache of memory and the tenderness that lingers after love fades.
Every once in a while, a rock song comes along that feels like a pulse. Ray Ray Star’s new single “Feelin'” is one of those songs.
It is an unfiltered outpouring of pain, survival and rebirth. A track that takes you straight into the struggle of addiction and the hard but beautiful process of learning to feel again after years of being numb.
MASSEY’s debut Reason For Being hits like a joyful revelation. This is an album that grooves hard, but also thinks deeply. It’s the kind of record that invites you to move, sweat and maybe walk away seeing the world a little differently.
On September 6th, the Oakland Coliseum was electric as Mexico faced Japan in a sold out international friendly. Over 40,000 fans packed the stadium, creating an atmosphere that was loud, colorful, and full of heart. What made the night even more special was the unity that filled the stands. Fans who are usually rivals when […]
There’s something really satisfying about hearing a band hit its stride decades into its career.
With Listen, their new album out now, South Florida’s SIREN prove that time and tenacity can forge something stronger than youthful bravado.
